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Working with Nokia's visual communication team, under Bobby Martin, we designed a packaging graphics system which moved away from a fragmented brand towards brand unification, using blue colour-blocking. I designed a value tiering system for the accessories packaging which uses the finishing of the product number to signify the value tier of the product. I art directed the images on the packaging, giving the image a contextual surface to make it appear 3-D.
Graphic Design, Package Design
2011
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album and single artwork.
Graphic Design, Music, Photography
2010
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A series of photographs to capture imaginations of young photographers and promote Olympus professional SLR cameras. The aim of these images was to represent the play between camera and subject, repositioning the subject in the artificial exhibition space
Photography
2010
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This was a freelance commission for the government drugs education campaign. The sofas toured the UK, appearing both on television and related promotion material. My concept was for the design to suggest a real and accurate perspective on drugs.
Graphic Design, Painting, Typography
2010
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Dj Pesk. Black and white series mix artwork.
Graphic Design, Music
2011
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Christmas card and email viral to promote Explosive design agency. A video was emailed and a hard copy was posted shortly after. Explosive staff were featured to facilitate familiarly between the agency’s works and the office environment.
Animation, Sculpting, Graphic Design
2010
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My concept captures the energy of the event though illustration, whilst upholding the high fashion value of the Pure brand though photography. This concept eventually shaped the physical layout of the event at Olympia, London. Photographer: Joe Lacey.
Art Direction, Illustration, Graphic Design
2010
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My concept focuses on the benefits of an additional 10% offered by Habitat, to the total amount of the customer’s account. I chose to represent that 10% as a gift-wrapped object that expresses the actual value of the percentage in relation to the big gift
Advertising, Art Direction, Graphic Design
2010
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I was inspired to create this font by those shapes found at the cross-section of a cylindrical roll of paper rolled in different ways. I chose corrugated paper because of its thicker edge, which can be made to form a decorative detail.
Typography, Graphic Design, Lighting Design
2010
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This project orders every project I have ever completed into an average colour saturation. My shed presents how ideas are like building blocks, consequently shaping how I approach tasks today.
Graphic Design
2010
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Promotion home show. This project communicates the essence of summer, whist not prioritizing any single product. Reflective of summer fair’s edited approach, objects are grouped by materials and combined with summer flowers.
Photography, Graphic Design, Illustration
2010
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Pluto /
Mars /
The Moon /
The Sun /
Saturn /
Photography
2010
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These maps illustrates the worlds light pollution in relation to nocturnal duration, revealing a more precise depiction of the sky at night, flood with artificial light.
Graphic Design, Print Design
2010
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To design one large wall hanging and five smaller ones. The design was to be an adaptation upon their logo and in a style that reflected the outside environment of their offices in old street.
Illustration, Street Art
2011
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T-shirt design – A commission by Illustrated People for a t-shirt design for retail in Top-shop and across the UK.
Illustration
2010
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Next point of sale
Graphic Design
2010
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Working with a team of graphic and interior desiners the brief was to create an engaging and inspirational environment that is easy to shop, rich in attitude and energy, with the key customer objective of changing the perception of Sainsbury’s to view it as a credible non-food retailer.
We needed to create an environment that could sit within the constraints and brand values of the Sainsbury’s corporate guidelines and principles, ensuring that the design met the challenges whilst maintaining the integrity of the brand’s corporate responsibility guidelines and best practice at store operation level.
The main departments to focus on were the ‘TU’ fashion brand, Health and Beauty and General Merchandise. General Merchandise included Home and Entertainment.
Master planning followed the project’s definition, laying out the main departments by introducing a secondary circulation and promotional aisle, which helped to define the navigation and allow customers to more easily shop the offer. Visibility and consistent navigational signposting were critical to success. From the approach to the store, through to the shelf price ticketing, the customer is clearly informed and navigated through the journey initially by a car park totem that gives information about the breadth of the non-food offer, and then from the entrance and throughout the store.
© Dalziel & Pow
Graphic Design
2010